Wallpaper registered by Heywood, Higginbottom, Smith & Co on 22 May 1851
BT 43/88/78974. This is an example of the kind of design the reformers deplored. In 1852 Henry Cole put on an exhibition at the Museum of Manufactures at Marlborough House called the ‘Gallery of False Principles in Decoration’. This provided examples of where British manufacturers were going wrong, the accompanying Catalogue explaining the various violations of the reformers’ principles of design. The wallpaper, intended to celebrate the Great Exhibition at Crystal Palace, showed great skill and complexity in its manufacture. However, it was exhibit number 28 in the Gallery of False Principles, condemned because it ‘falsified perspective’. Clearly it failed to meet other measures of ‘correct’ design, being neither ‘subdued’, ‘conventionalised’ nor ‘flat’.