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Textile trials for ‘The Ties That Bind (I)’

Textile trials for ‘The Ties That Bind (I)’

After several stages working digitally and on paper, the work progressed to textile experiments incorporating digital printing, stitch, heat transfer printing, screen printing and hand painting with reactive dyes. Specific images were incorporated alongside portrait photographs to communicate the objector’s story. The first triptych particularly featured crossed out medals to connote lack of bravery, stamps to denote the period (and suggest ‘for king and country’) and white feathers as symbols of cowardice.