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Sketch book page and family photographs

Sketch book page and family photographs

Family and war photographs formed the first components for visual experimentation to convey John Edgar Bell’s story. Tentative narrative relationships between photographic images and other visual signifiers such as colour and mark were explored, creating micro visual syntagms and analysing the potential meanings they might convey. Within the research two textile triptychs were developed, with responses to the first triptych informing the image content in the second set of panels.