Developing the second triptych backgrounds
The panel backgrounds were formed from the detritus of past collecting; stained lining paper edges from old picture frames, sections of discarded fabrics, and torn fragments of aged house paint and wallpapers. The collage process enabled ‘hands on’ working with these materials, exploring spatial relationships and defining the panel dimensions. The compositions were photographed and disassembled, with individual components scanned and the backgrounds reconstructed digitally. This process echoed the early stages of the practice, where hand-generated experiments created components for later digital development.