Returning to its battle against unfair competition from Army Bands, the Journal here directed its fire at no less a person than Tom Shaw, Secretary for War in Ramsay MacDonald’s second Labour Government. In a blistering attack on him and Manny Shinwell (Financial Secretary to the War Office) it presented persuasive evidence of serial engagements of Forces Bands in seaside resorts and accused the ministers of evading a major social issue while 4,000 civilian musicians were out of work.
A. Cartaz, “Du somnambulisme et du magnétisme à propos du cours du Dr Charcot à la Salpêtrière”, 1879. Research with patients was shot through with problems of power, care and responsibility. Here, the leading French neurologist Charcot examines the relation between seizures and sound (perhaps with the same patient photographed in Image 1). The illustration speaks to the particular gender politics of male physician and female patient and to emerging cultures of bodily display, the latest incarnations of which can be found in the ‘body spectacle’ genre of medical television. © Bibliothèque nationale de France (BnF).
Northern Ireland, 2011; created by a community group of young adults from both sides of the Belfast interface, coordinated by community relations officer Marion Weir, after Dan Devenny’s New Bedford mural (see image 8) and the original Belfast mural also by Devenny (2006), central image based on a cabinet cardphotograph by Matthew Brady taken in Washington D.C. in 1876, left-side image based on a daguerreotype made in 1853; CC BY-NC-ND.
Charles Rennie Mackintosh left an exceptional body of work across arts, architecture and interior design. He was someone who was very much of his time – but who was also looking to the future through his work, and who has remained enduringly popular.
This cartoon first appeared in the Glasgow Evening News. It reflected the fears of some Musicians’ Union writers about the possible cultural impact of Hollywood talkies on British audiences. One drew attention to the prospect that audiences would have musical tastes forced on them by film companies, whereas a resident orchestra could respond to local tastes. Worse, the children of England might perhaps learn to speak with an American accent and abandon their own “homely and honest” dialects.
M. Lannois, “Dermographisme chez des épileptiques atteints d’helminthiase intestinale”, 1901. Look carefully: the woman pictured has her name scratched into her chest and back. The writing was probably done by her physician. Angeline Donadieu was an epileptic patient at the turn of the twentieth century. She is exemplifying a particular condition known as dermographism – skin that retains the imprint of marks traced onto it. Yet the image speaks most powerfully of the relation between medical and personal identity. © Wellcome Library, London. Creative Commons CC-BY.
Avenue, Rochester, New York, 2013; older Douglass based on a photograph taken in 1884, younger Douglass based on a daguerreotype by Samuel J. Miller made in Akron, Ohio, in 1852; CC BY-NC-ND.
These are important questions that human beings have been asking for centuries - which is why it makes good sense to study what was written long ago if you are looking for some answers.
Registered by John Trumble & Co on 23 June 1858. BT 43/97/114049. The principles of design set out by Pugin were taken up by the design reform movement based around the Government School of Design in South Kensington. A key figure in the movement was Owen Jones. Jones travelled widely, researching different styles of design which were brought together and categorised in his hugely influential book The Grammar of Ornament, published in 1856. He was particularly inspired by Islamic design, as can be seen in this wallpaper, and led the way in the nineteenth century revival of what was termed the Moorish style in architecture and decoration.
D. Younger, The Magnetic and Botanic Family Physician, 1887. Employing cataleptics or epileptics to perform particular medical roles shaded into wider performance in the later nineteenth century. Although this image shows a purportedly “scientific” experiment using mesmerism on a cataleptic subject it appears far more like the stage show of a magician. Regarding seizures as material for popular performance shifted them from the realm of medicine into the public sphere and made them subject to industries of entertainment. © Wellcome Library, London. Creative Commons CC-BY.