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The Parthian Empire at its Greatest Extent (c. 96 BC)

In the early 1st century BC, Parthia’s territory expanded to the River Euphrates. Parthian and Roman envoys met to establish this landmark as the boundary between the two superpowers. At this first meeting, the Roman magistrate reportedly seized the seat of honour, humiliating his Parthian counterpart as the inferior ambassador. In 53 BC, Parthia finally demonstrated its strength by crushing the Roman army at Carrhae. 30,000 soldiers were killed or captured, and several legionary standards were lost to the Parthians.

Alexandra Magub - School of Oriental and African Studies and The British Museum

How to make an award winning film

Steve Evanson, Research in Film Awards judge and co-creator of the global TV brand Coast, offers his advice for how to make a successful film.

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From the "Beyond the Battlefields: Käthe Buchler's Photographs of Germany in the Great War" exhibit. See how this image is being projected through this window frame, across the courtyard, onto the tower opposite. Copyright: German Photographic Museum in Braunschweig, Lower Saxony.

The Parthian Shot: silver tetradrachm of an unknown king (c. 80-70 BC).

The archer on Parthian coins not only represented the military might of the Parthians, but also their Iranian character. Trousers were considered effeminate clothing in the Roman world; however the folds of material (shown on the coins as horizontal lines) prevented saddle chaffing. These mounted archers were a chilling reminder of Rome’s defeat at Carrhae: the Roman historian Justin recounts how the cavalrymen would gallop in retreat, only to turn in the saddle and fire fatal shots from their bows. 

© Trustees of the British Museum

The Musicians' Journal, No. 26 (October 1927)

In 1927 the Musicians’ Union was active on several fronts to support members’ interests. It resisted reductions in pay following the General Strike and fought against harsh conditions of service when, for example, some cinema owners insisted their orchestras play seven days a week. However, to achieve its aims, the Union needed sufficient income to employ officials and organise members; but those very members resisted moves to raise the subscription.

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From the "Beyond the Battlefields: Käthe Buchler's Photographs of Germany in the Great War" exhibit. Copyright: German Photographic Museum in Braunschweig, Lower Saxony.

Silver denarius of Augustus (63 BC–14 AD).

In 20 BC, Augustus, Emperor of Rome, and Phraates IV, King of Parthia, negotiated the return of Rome’s captured standards. While both sides benefited from this treaty, Augustus was quick to portray the event as a personal victory.  On this coin, a Parthian wearing the characteristic trouser suit returns a standard from his knees. Recounting these events, Augustus published the claim throughout his empire, “I forced the Parthians… as supplicants to accept the friendship of the Roman people“(Res Gestae, 29). 

© Trustees of the British Museum

The Musicians’ Journal, No. 29 (July 1928)

The competition that civilian musicians faced from military bands in public parks and seaside resorts increased in the summer months. A year later, in the summer of 1929, however, this would seem a less menacing challenge than the rush by many exhibitors to install pre-recorded sound in their cinemas.