By the time of his death in 1895, leading black abolitionist and former slave Frederick Douglass was the most photographed American of the 19th century, rather than Abraham Lincoln, Walt Whitman or General Custer (as scholars have previously claimed).
Riley wrote the poem in the wake of her son’s death but never published it. It plays on the many meanings of the word ‘Still’: 'still' as ‘quiet’, as 'continually', as 'constant', as 'even though', etcetera. Even though the poem deals with death, Riley assured us that the shape of the funerary urn was created quite accidentally by centring the words on the page.
Speakers at the "Beyond the Battlefields: Käthe Buchler's Photographs of Germany in the Great War" exhibit. Copyright for images at the exhibit: German Photographic Museum in Braunschweig, Lower Saxony.
There was no daylight this was a problem because the artists and painters had differing lighting needs, the painters needed small 110 volt 80watt portable tungsten light at 2500k, the artists needed high power 500watt halogen lighting to maximize illumination covering large areas of the dome evenly, and to approximately match daylight at 5000k to match paint colour, every time I was on site the lighting changed as workers moved around. I needed to get a soft painterly light in my images to match the original painting but the lighting was harsh and mixed I tried various methods to get this right including flash, also a ring flash it gives a softer feel to the light but nothing worked all too harsh. Eventually I used a mix of long exposures (when the scaffolding stopped swaying) and against my better judgment increased the ISO. Increases the sensitivity of the digital sensor.
Auburn Avenue at Piedmont Avenue (African American neighbourhood), Atlanta, Georgia, 1975; destroyed in 2007, Douglass with Martin Luther King, Jr., Malcolm X and W.E.B. Du Bois, likely based on a cabinet card photograph by Matthew Brady taken in Washington D.C. in 1876; CC BY-NC-ND.
“Taking the lead from Sam and his interest in the connections between the natural and digital world, I reflected on the idea of my instinct and relation to technology. Last week I had a Caesarean birth followed by a week of rigorous monitoring. Every night over the last year I have also plugged a catheter bag onto my eldest son. I translated the medical objects and fragments from the experience into an image that used printmaking, drawing and collage.” http://kitestudios.org/
From the "Beyond the Battlefields: Käthe Buchler's Photographs of Germany in the Great War" exhibit. Copyright: German Photographic Museum in Braunschweig, Lower Saxony.
(African American neighbourhood), Boston, Massachusetts, 1976; destroyed in 1987, likely based on a cabinet card photograph by James E. Reed and P.C. Headley taken in New Bedford, Massachusetts, in October 1894; CC BY-NC-ND.
"Still immediately reminded me of a book I’d recently read discussing connections (and tensions) between the natural and digital worlds. These ideas provided the basis of my understanding, deciphering and transformation of the poem. The ‘translation’ process was initiated by converting ‘Still’ into computer binary code. Adapting the outcome I endeavoured to capture the essence of ‘Still’ in a single image. I am neutral and non-attached as to the success of this process and wish my fellow artists an interesting and rewarding match." www.samtreadaway.com